Monday, 10 June 2013
About ARM and x86
Wednesday, 5 June 2013
On Gorilla Glass
Stress helps glass resist damage. By incorporating it into the manufacturing process, Engineers at Corning, Inc., in N.Y., can give a normally fragile material super-strength. Their Gorilla Glass product now forms the screens of more than 1,000 different devices, from smartphones to tablets to televisions.
To avoid building flaws into the material, Corning creates large, flat panes of Gorilla Glass mechanically. During the process, the molten glass is suspended by its top edge, leaving it untouched by human hands—or anything else. Despite their stability, these sheets cannot prevent future damage...yet. The next step is to apply stress to the glass, compressing its molecules to strengthen the material and enable it to resist flaws.
Cut to appropriate sizes, the unfinished Gorilla Glass then takes a bath in a molten solution of potassium salts. This process leaches small sodium ions out of the glass and replaces them with larger potassium ions. The large particles squeeze the sheet from the outside in, compressing the material.
This creates two outer layers squeezing inwards, towards a central layer that balances out the internal forces by pushing back.
"You have an equilibrium of stress and tension," explained Marcus Haynes, a senior applications engineer at Corning. "There's a layer of compressive stress, then a layer of central tension, where the glass wants to press out, then another layer of compressive stress."
Compressing the surface of the glass makes it stronger, able to resist blows and scratches rather than breaking immediately.
"Even if you damage the glass, the flaw is contained within that compressive stress layer," Haynes elaborated. "It doesn't allow the flaw to expand." In order to break a Gorilla Glass screen, a flaw would have to penetrate through the compressive layer and into the tension layer.
Although the ingredients that go into Gorilla Glass also help the material withstand damage, stress is the real key to its abilities.
Source: Physics Buzz
Friday, 31 May 2013
Not elementary my friends, its X-Square
This is the first time, or rather the second time that I had the privilege of going through the entire body of a work of fiction before it goes to print, which is not mine.
About the first one you may hear soon, but this second one is something special. It's about thé trust a friend had placed in me.
Very few times we come across such original narratives as I had come across this murder mystery. It starts in the classic way. Murders. More murders. And an officer in charge of it. An inept higher official. Town politics intruding in between. As usual, this misfortune befell on a very peaceful town. People experiencing panic.
As the much loved constable Clarke says to Sherlock Holmes in the movie starring Robert Downey Jr, "panic sir. Sheer bloody panic."
Oh I forgot to mention, the chief official is a man of apparent wisdom, and about to retire. He wants the case to be closed double quick.
Then starts the real game. Within this classic setting, Srinu Pandranki, a filmmaker of a few acclaimed short films, (Pink slip being one such. Trust me. It's an excellent film. You may get to it in youtube), and big dreams had taken a different narrative path.
An Indian writer, not an nri, nor is an established author of fiction. What one can expect of him? While most of the GenX Indian English writers coming up with love stories, more love stories, and more love stories, or retelling Indian myths or following in the foot steps of Dan Brown in the name of researching (google), Mr. Pandranki came up with an original murder mystery. And boy! What a mystery it is...
Set in the University city of Palo Alto, an exciting and unique buddy... Thing. Racy, cleverly layered, sprinkled with enough turns and twists, not over killed. Enough of action, and surprisingly not gory, and yes. He respected intelligence of his would be readers.
In this Racy narration, you can find unique mixture of characters, and attention to details.
Plus points :
1. Classic setting not to unsettle the readers.
2. Great and different narration compared to numerous other books of this genre.
3. Racy, attention to details, unique mixture of characters.
4. Not much dependence on Google.
5. Beautiful and near flawless language.
6. No playing for effects.
7. Cleverly layered mystery.
8. Potential for a breath taking Hollywood film.
Minus Points :
I had mentioned a word trust. But rest assured, not many. Almost negligible.
Note: please go through this link
Rather than sending friend requests, taking a note of this preview and pre ordering with GALTing Parables (publishers) @ galting.parables@gmail.com will be appreciated :P
PS:
1. This story was first a Hollywood spec script by Srinu Pandranki. He converted it into a novel. You can find it written in visual style. The screenplay was sent to Nichols fellowship, and is acclaimed. Not a single sequence which is unnecessary can be found either in it or in the novel.
2. A review will be published after the book release. Said to be slated for June release.
Thursday, 9 May 2013
A month with the SwiftKey
SwiftKey is a swipe style keyboard layout for Android smart phones. I had come across it via the famous tech site, TechRadar.
After reading that it can work in a way that while sweeping through the keyboard, you can not only get the required words, but also very spaces in between the words. The thing is you have to bring your finger to the space bar between words. Automatically the software adds space in between the words.
In comparison let's take the known Samsung keyboard layout. It also has swipe option. But to get space you have to lift your finger to hit the space bar. But here works SwiftKey Flow option there is no need to lift your finger to hit the space bar. You can write phrases or sentences on a trot. The only thing you have to take care is whether you are sweeping over the right letters.
This intrigued me. I just went to the Google play store and downloaded the trial version. I had not synced any of my social network accounts to it. I felt like just use the trial version and then leave it. But after using it a couple of days, I sense it is not a thing to be left after free usage. It is very good one, and very useful for me. I generally write a lot on my mobile. And SwiftKey surely made my writing easy on my mobile. It is very accurate too.
Currently am now using SwiftKey 4 on my Galaxy Note 2. The S-Pen and SwiftKey forged a deadly combo for my writing. I have tested it left and right in this month and it passed out every test in flying colors. After syncing the social network accounts with it, the writing speeds improved dramatically.
The only problem in all this is... For me especially to buy it over Google play, I have to use the cards. But I have no cards. Had to wait till a person with a card helped me buy it. Isn't there any other way to buy things on the play store? Like getting a courier with the key for cash on delivery? :P
PS: 1. More on my experiments with SwiftKey with proper screen shots will be posted later.
2. Written this using the deadly combo.
3. My writing appetite improved drastically these days because of SwiftKey. So you can expect more posts from me.
Monday, 25 March 2013
Thiruvahindrapuram
This paycontains the details of Thiruvahindrapuram as I was told by a local Acharyar. Another post on my experience will come soon.
Presiding deity – Devanatha Perumal/Devanayaka Perumal
Thayar – Hemambujavalli Thayar/Senkamalavalli/Vaikuntha Valli/Amburuvasini/Bargavi
Mangalasasanam by Thirumangai Alwar and Periya Alwar
Sannidhi’s - Rama, Venugopala, Chakrattalvar, Pallikonda Perumal, Rajagopalan, Lakshmi Narasimhan, Aheendrapuranathan, Andal, Garuda, Vishvaksena, Alvars, Acharyas, particularly Sri Vedanta Desikar
Theertham – Shesha Theertham
Nadhi – Garuda Nadhi
Desika Krithis – Gopala Vimsathi,Haygreeva Stothram, Raghuveera Gadhyam,Achutha sathakam,Navamanimaalai and Mummanikovai
Thiruvahindrapuram located 5kms West of Cuddalore. One of the 108 Divya Desams of Lord Maha Vishnu. Arjuna ( Villikku Arjunan, Sollukku Arunagiri) has taken penance at this temple, from this it is very clear that the temple existed from the date back to Mahabharatha.
The history goes on like…..
Garuda and Adishesha’s hurried to collect water to quench the thirst of Lord Devanatha, Shesha was the first to appear with the Shesha theertham. Meanwhile, Garuda who had gone to collect water from Viraja Nadhi entered Madhu vanam where a rishi was engrossed in deep penance. The muni had in his kamandalam the Viraja Thirtham seeing which Garuda automatically tilted the same and diverted the water inside towards Oushada giri where the Lord Devanatha was waiting to quench his thirst. But Garuda became crestfallen on realising that Adishesha had already obtained water for the Lord. On seeing this Garuda was sad and to cheer him up, the Lord chose water from Garuda Nadi for his thirumanjanam (holy bath) and from Sesha Tirtham for nivedanam (offering). Lord Deavanatha Perumal who cheers up one and all, found an appropriate solution by declaring that henceforth Shesha theertham would fulfill the wishes of all people and will grant Moksha to all people who bathe in it while the river brought by Garuda would be known as Garuda Nadhi and will be considered equivalent to the Holy Ganges. It is believed that the water brought by Adishesha was Patala Ganga theertham. Even till this day the Shesha theertam is located in the premises of the temple and the temple kitchen uses this water to prepare all the neivedhyams for the Lord.
Another noteworthy point is that in this divya desam has the practice of pouring milk into the Shesha Thirtham. People offer pepper,salt, milk, honey, turmeric and others into the Sesha Tirtham as part of their prayers and still it is indeed a divine wonder that the water is used for preparing the daily nivedanam to the Lord.
Another story related to the temple goes thus: Brighu maharshi found a girl child on a lotus whom he reared with love and affection. He named the child as Bharghavi (daughter of Brighu). Note that there are only 2 places where the Thayar is named Bharghavi-Thiruvahindrapuram and at Adanoor. The Thayar was also called Hēmâmbujanayaki as she was found on a golden lotus. From childhood,the girl was always thinking of her Lord and finally Lord Narayana himself came to Brighu Maharishi for permission to marry Bharghavi. To save Brighu from the sadness of seperation from his foster daughter the Lord permitted him to continue to stay at this place with Perumal and his daughter in Thiruvahindrapuram. Bhrighu maharishi is seen to the left of Lord Dēvanâtha in the Garbagriha.
Thayar also known by the name Tharanga Mukha Nâyaki- Thayar as a girl was very fond of going to the seashore and watch the waves always and hence the name for her fondness towards the sea.
To the right of the main sannidhi is Lord Rama’s sannidhi where the “Kathora Sukumara” Raghuveeragadyam was composed. The beauty of Rama with the arrow in his hand resting on the ground,while that of Lakshmana’s arrow held upright by him as though ready to protect Rama and Sita from any danger . One interesting feature is that Lord Anjaneya is not in his customary posture of folded hands or kneeling down, but his fingers are touching his nose (as we stand when we approach our Acharyan!)
Thiruvahindrapuram is found in all the 3 postures namely standing posture - Lord Devanatha, sitting posture - Lord Ahindrapuranathan and the reclining posture as in the mighty causal ocean - Lord Ranganatha
On the opposite side to the main sannidhi of Lord Ahindrapuranatha with Adishesha howering over his head, and sannidhi of Bhasyakaran, Kulashekara Alwar, Thirupan Alwar and Thirukachinambigal.
On the other adjoining side of the main sannidhi and the above sannidhis is Swami Deshikar’s sannidhi to the left of him are Lord Ranganathar sannidhi, Andal and the sannidhi of the Alwars.
Oushadagiri hill consists of 73 steps to be precise which are quite very easy to climb unlike the steep and uneven steps to Lord Yoga Narasimha at Melkote to obtain the blessings of Lord Lakshmi Hayagrivar. Sri Lakshmi Hayagreevar, the Supreme deity for all wisdom and guru of Sri Saraswathy, at this hill. The herbs found on Oushadagiri have got indeed medicinal value owing to the fact that when Anjaneya was on his way to Lanka carrying the Sanjeevani Hill some herbs dropped down onto Oushadagiri.
Thirumangai Alwar composed 10 pasuram about Devanatha Perumal of Thiruvahindrapuram.
Wednesday, 23 January 2013
Meet the Chakraborty called Novo Neel
Thursday, 17 January 2013
Thursday, 22 November 2012
Thursday, 8 November 2012
Sriamayana in tweets: 1
I have got an idea just now. To compose Tweets, which tell SrIRamayana. From now on with numbers, I'll go. Let me check how I can go.
SR1: Emotion is the root for great literature. Maharshi Valmiki's grief resulted in a Sloka. That was the starting point of SriRamayana
SR2: The story of SriRama was first told by Narada maharshi to Valmiki, when he inquired about an ideal man.
SR3: So, SriRamayana is the story of an ideal man.
SR4: What are the criteria for being an ideal Man according to Maharshi Valmiki? In his own words...
SR4/1: The most accomplished, learned, powerful, noble minded, truthful, and grateful. The man with a flawless character.
SR4/2: The man who engages himself looking after the genuine welfare of all living entities. Clever, most handsome, and most pleasant
SR5: After his interview with Maharshi Narada, Maharshi Valmiki went with his disciple, Bharadwaja, to the banks of River Tamasa.
SR6: There, while he was meditating on the words of Maharshi Narada, an incident occurred which lead to the writing of SriRamayana
SR7: A Nishada, killed the male Krouncha bird, while it was in deep love-making with it's beloved. Maharshi Valmiki's anger knew no bounds
SR7/1: Krouncha, a sort of bird, according to some sources, it is a crane. Nishada, a hunter-man race. Here a man from hunting race
SR8: Upon watching the tragic end of the Krounchas, which were previously ecstatic in love-making, Valmiki cursed the Nishada
SR9: Soon after, Maharshi Valmiki struck with grief. Not only for the tragic end of the Krounchas, but also for his uncontrollable anger.
SR10: But to his surprise, his disciple, Bharadwaja pointed to him that his words while cursing the Nishada, came out in a rhythmic form.
SR11: Valmiki surprised with the words of his disciple, and thought about it. Unfortunately, even this surprise helped him overcome his grief
SR12: At that time, Lord Brahma manifested before him. He consoled the Maharshi, and explained him that all this was choreographed by him.
SR13: Lord Brahma: "The curse came from your mouth constitute a spectacular poetic meter. Anushtup. Using this, write the story of SriRama."
SR14: Lord Brahma: "All this had happened for greater good. With my blessings, even minute details of SriRama Charita will be known to you."
SR14/my words: Thus started the Greatest Epic known to human race, SriRamayana.
_/\_
PS: Picture is from Iskcon. If rights are violated, plz inform me. I'll remove it
Wednesday, 7 November 2012
Sunday, 4 November 2012
Time is no Crime
Time is created by man
But running behind it like a fan.
Why can't he understand that
It was indeed his slave,
And he made it when he was in the cave.
Be on par with you boy,
and master Time,
It will make your life a joy.
--- GItacharYa VedaLa
/bye



